What accounts for Cubans’ capacity for joy, and what can a writer learn from it?
The critical questions to ask, when considering whether to include a prologue: Is it necessary? Does it pique the reader’s interest in the main story? Does it provide information the reader needs to know before entering the main story? Could the information be included as a chapter in the main story?
For writers willing to look beyond the traditional path through the major publishing houses, there are many new paths to success.
Tropes. They’re in your stories without even trying So put ‘em to work.